Arise, My love, My Beautiful One, and Come Away

I am very grateful to the Lord for the rich diversity of literature contained within the Bible. Not only do we have the narratives of Israel’s history and Jesus’ ministry, or the discourses of the law and letters, but we also have the wildly foreign yet lovely verse of the prophets and poets. Let me pull back the curtain for you on my own process for Bible study.

Right now, I’m studying Song of Songs 2:8-3:5 and trying to find my way. What clues can I find to show me how this text is organized, so I can follow its train of thought?

First, I notice the repetition of the label “my beloved,” from the woman regarding her man (Song 2:8, 9, 10, 16, 17). They are somewhat spaced out and appear likely to trigger a new thought or idea.

Second, I observe that the man never speaks in this passage as an independent character (as he does before and after this in the book). Instead, what we have is the woman’s report of what he says (Song 2:10: “My beloved speaks and says to me…”). Or is this more about what she wants him to say? She appears to be dreaming in Song 3:1-4 (especially see Song 3:1); could Song 2:8-17 be something like a daydream?

Third, though Song 2:10-15 is all one speech by the man (at least according to the ESV editors; the CSB suggests that the man’s speech ends with verse 14), I observe the verbatim repetition of “Arise, my love, my beautiful one, and come away” (Song 2:10, 13). That repeated phrase wraps verses 10-13 like bookends, suggesting that Song 2:14-15 contain a second stanza within his speech.

Fourth, the poem reaches a clear climax in Song 3:5, when she puts the daughters of Jerusalem under oath not to stir up love.

All of this yields the following group of stanzas:

• Song 2:8-9 – her (daydreaming?) delight in the voice of her beloved
  • Song 2:10-15 – the contents of her beloved’s voice
    • Song 2:10-13 – Arise and come away
    • Song 2:14-15 – Come out and catch up
  • Song 2:16-17 – her declaration of mutual possession with her beloved
• Song 3:1-4 – her dream of seeking and finding the one her soul loves
  • Song 3:5 – her oath for the other young women not to stir up love yet

So much for an observational outline of the poem. What about an interpretive outline? What is the point of each stanza, and how does the train of thought move from one stanza to the next?

That will require more work, so I’m back at it. At least I have some handles on the text to guide my questions and answers.