As a young missionary and student of the Bible, I once received counsel to check out certain commentaries written by scholars who didn’t believe the Bible to be true. This counselor wasn’t trying to lead me away from the true faith but toward it, because he suggested, “Many liberal scholars are more willing than conservatives to take the Bible at face value. Since they don’t care what the Bible says, they have nothing to lose by being honest about its message.” Having grown tired of endless word studies and thin defenses of dogmatic opinions on every page of some conservative commentaries, I gave it a try.

And I began learning to read the Bible as a work of literature.

(Please note: Not all commenters are created equal. Some unbelieving scholars take offense at the Bible’s message and seek to undermine it at every turn. I’m not writing about them, but about their colleagues who approach the Bible with more indifference than aggression.)

This approach helped me for a time, leading me to learn from brilliant (though spiritually foolish) writers how beautiful and well-written the Scriptures are. I learned how important structure was to ancient authors. I gained a keener eye for devices like characterization, comparison and contrast, inclusio (bookends), and repetition. I realized how important the original audience is to our interpretation. I learned to set aside my preconceptions, since I often had to suspend my disgust for the commentator’s assumptions in order to sharpen my ability to observe the text and delight in the ancient artistry.

Enter Leland Ryken.

Dr. Ryken showed me that I didn’t have to simmer in unbelieving scholarship in order to read the Bible for what it is: literature.

One of my earliest “wow” experiences was being required to read selections from Ryken’s Words of Delight: A Literary Introduction to the Bible for a seminary course. The book was so good, I finished it on my own as soon as the course ended. And I’ve returned to it regularly ever since.

Ryken teaches college-level English and trusts God’s word. I praise God for his service to the kingdom of God in our generation, through his teaching career and long list of published works. And I was delighted when this man I deeply respect was willing to endorse Knowable Word.

Crossway caught my eye when they offered me a copy of Ryken’s recent work, A Complete Handbook of Literary Forms in the Bible, in exchange for an honest review. This handbook appeared to be a useful tool for any student’s library.

And Ryken’s Handbook delivers on a grand scale. Ryken gets literature, and he gets the Bible.

The Handbook lists about 270 different forms Bible passages follow and gives definitions, explanations, and examples for each form. The handbook’s introduction explains why literary form matters: Writers communicate meaning through form. If we ignore form, we often miss the meaning. There is no content in the Bible communicated without a form. And a biblical understanding of inspiration requires us to recognize the inspiration of not only words and content but also the shape those words take.

Ryken explains:

The most obvious lesson that this handbook reveals is that the Bible is much more infused with literary forms and techniques than we realize. In fact, I predict that anyone who browses in this book for ten minutes will be shocked by the extent to which literary forms and techniques are present in the Bible. (Kindle loc. 381)

Dr. Ryken is a prophet indeed. The Handbook will help you understand forms like soliloquy, three-plus-one motifs, parody, insult, irony, hero stories, fantasy, foreshadowing, envelope structure, apostrophe, coming-of-age stories, stories of villainy, and lament psalms, to name but a small percentage of forms.

I would imagine using this reference often, except for one significant flaw that undermines its usefulness to average Bible readers like me. It has no Scripture index. This handbook is useful only to those already familiar with the extensive literary terms. If I’m reading Job 3, and I want to learn more about how soliloquies work, this handbook offers a marvelous explanation. But if I’ve never heard the term soliloquy, the handbook will be of no use to me.

I would give this book 5 stars if it had a Scripture index tying Bible references to the names of literary forms found in them. Without such an index, unfortunately, I can’t see most readers benefitting from this handbook—unless they’re either steeped in the terminology of literature or reading other reference works making use of that terminology.

You can find the Handbook at Amazon.

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Amazon links in this post are affiliate links. If some people care about this blog by reading it, how much more do those care who click the links and thus support the blog at no cost to themselves. That’s an example of an a fortiori literary form, which I learned about from Ryken’s Handbook.